Tuesday, March 12, 2013

La Luz De Jesus - The Bus 29 Hooligans from Chitown



from left to right:
Longside, Pinball: Ball 2, Rings of Saturn

I just finished packing up these pieces for the upcoming April 5th show at La Luz De Jesus Gallery in Los Angeles. These silkscreens are based on my Daily Drawings Series and should begin transit today. The show is called The Bus: 29 Hooligans from Chitown, curated by Tony Fitzpatrick. I'm excited to have work in the show as it features some amazing Chicago artists.  I'll be attending the opening reception on April 5, 2013 from 8-11 p.m.


Friday, December 28, 2012

Firecat Projects postcard

The Wanderer, acrylic on canvas, 36" x 36", 2012
The Wanderer is the image I chose for my solo show Glow: New Paintings by Renee Robbins at Firecat Projects.  The exhibit opens January 25, 2013. 

I'm also showing the Daily Drawings Project: a portfolio of 366 works on paper at Firecat Projects.  These will be shown in unframed in portfolios and are available for sale by the week in a set of 7 drawings.  We'll have a limited edition of this poster available at the opening so be sure to pick one up.    

 

Tuesday, December 11, 2012

Increasing Potential 8:55 p.m.

Increasing Potential 8:55 p.m., 8" x 6" paper size, 11.75" x 9.75" frame size
gouache and colored pencil
on paper


While the Daily Drawing project come by the week in a set I did a few pieces that are available individually and this is one of them.  You can view the other pieces here and they are all framed.

Monday, December 3, 2012

Cosmic Afterglow- silkscreen edition

Cosmic Afterglow, 11" x 8 1/2", 10 color silkscreen, ed. 73


I just completed a limited print edition based on "Cosmic Afterglow" from week 32 of the Daily Drawings Project. This screen print was drawn and printed by hand without the aid of the computer.  These are now available for sale for $50 on my website. 

Wednesday, November 21, 2012

Chicago Reader Cover

Chicago Reader Cover


For my “cover girl” moment- it’s La La Lure from Amusements on this week’s Chicago Reader. A mammoth thank you to the Chicago Reader for featuring my painting on the cover. YOWZA!

Thursday, November 15, 2012

What is gouache and why do I use it?



I’ve been getting a lot of questions about the materials in my work, specifically gouache (pronounced goo-wash). Many of my works on paper utilize gouache paint, which is an opaque watercolor.  There’s a rich history of painters that used gouache such as Egon Schiele.  He’s one of the first painters I was utterly obsessed with.  For many of his works on paper he often used gouache for the washy white outlines that surrounded many of his figures.  I’ve always been mesmerized by the contrast that it created in his drawings.  Before computers, graphic designers often used gouache when they wanted flat areas of color because it’s much easier to photograph.  Gouache uses gum arabic as a binding agent like watercolor paint but the pigment particles are much larger.  Gouache is known for its ability to reflect light and for opaque strength of the paint.  I’m obsessed with the matte chalky quality of the paint. 

I use Holbein Acryla Gouache, which is a combination of acrylic, and traditional gouache. When I want the colors to be really saturated I get out the gouache.  I like the Holbein Acryla over the traditional gouache because you can draw over it and the color does not lift up when layering other art materials on top.  It’s great if you don’t want brush strokes on your painted surfaces.  Acrylic paint tends to show brush strokes more than the gouache and I can create a matte area easier. Gouache dries super fast so you have to work quickly especially if you want to cover a large area.  I try not to worry about wasting paint anymore, as that’s really part of the process.  The gouache colors tend to dry at different values then they appear when wet so matching colors can be difficult.  It takes some getting used to but after painting with it for a while I can judge how much it will change after drying.  It can be frustrating to paint precise lines and meticulous details in gouache because of the drying time.  It takes me much longer to complete detail work in the gouache vs. acrylic.  However, I need the ground that gouache creates for certain pieces I use it when necessary.  I often go over my gouache drawings with Prismacolor colored pencils. They work the best and I really don’t use other brands.  I can’t really go over acrylic paint with colored pencils.  The Acryla gouache is not as fragile as traditional gouache so it suits my process perfectly. In other words, I can beat it up and it still looks good.